It Takes A Town: Bridport : – West Dorset, UK.

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Bridport-High-St-v2-tt-

It Takes A Town: Bridport : – West Dorset, UK.

Bridport High Street and Old Town Hall with Clocktower.

Art Youth and A Shared Peace: Ukraine and the UK – Stories and Thoughts: 

Below is a short statement about this project written for our Council of Europe pilot grant evaluation.• It is very clear and specific, and important to be so, when funding is involved. It doesn’t go anywhere near how life changing it is to be so closely involved with this community of people, 18 of whose country is at war; the majority of the 18 were from Ukraine but we did have young people with us from Sudan and Afghanistan + those from Dorset, Italy, Germany and London. 30 young people directly participating with approximately 40 + more people, artists, hosts, volunteers, cooks, chefs, university students, parents, therapists, academics, a film maker/photographer, politicians, local and national, and farmers.

That list of people who helped make this project possible is the reason for the title, It Takes a Town. The town is Bridport, in West Dorset and the first Rights Respecting Town in England and the first (Pilot) Town of Culture in 2025. It has three theatres/cultural centres with a population of just over 13,000, and a third of those are under served by society. We have too little social housing and not nearly enough accommodation for young people, local families and our new citizens. There are hundreds of volunteer organisations, 25% of all organic farms in England, many run by young farmers – real access to ownership of land is a problem. And we have the sea, great beaches, often good, although expensive, food and beautiful landscapes…and mostly, caring people.
“We can’t save the world, but we can save each other – that makes the change”
Amelia Lander-Cavallo, Quiplash UK

West Bay, Bridport’s ‘sea side’

Robert Golden has made a documentary which shares moments and fragments of how we worked together, creating an impression of how our intentions and friendships grew, how we used art together, the skills of the facilitators, an enduring core of people, some of whom have worked together for over 20 years. And the final recognition that we had to give a name to what we do or at least describe it so people can understand what we do, how we do it, and why. That will be from 2026 onwards. The film will be released shortly with English and Ukrainian subtitles.

Bucky Doo Square, Bridport

Opera Circus is a small part of an international initiative to bring UK academics, artists and psychologists/therapists together with colleagues in Ukraine, through the work of Art Therapy Force led by Veronika Skliarova.* The development of Trauma Attuned Care Training has resulted in the writing and publishing (January 2026) of a Handbook which contains an infographic and knowledge of a Framework for working with trauma through the arts. More on this in another article and how the work can be accessed in the future. (Writers include Dr Angela Kennedy, Darren Abrahams, Dr. Henry Redwood and Veronika Skliarova.)

Through this work we came to realise much more clearly that the use of Trauma Attuned Care is paramount to our work and all we aim to achieve with it.

Dr Angela Kennedy describes Trauma Attuned, different from Trauma Informed, as:

“Being trauma attuned refers to the practice of becoming more grounded in a safe and connected life after a period of significant loss or adversity. It focused more on relationships to self and others and on being present in the moment than the more cognitive and organisational ‘trauma informed’ frameworks. It allows for growth and wisdom to emerge in ways beyond words. The arts present a unique opportunity to harness embodied learning through brain pathways built for integration, intuition, engagement and meaning making.”

The great importance of food and eating together

These words are written by one of the young Ukrainian people who wrote to us after the project :

“If I were to say what happened during the project itself, the right allegory would be that I am a balloon filled with water that is not tied (or was gently untied without me noticing), and anything that touches this balloon, even air, it rocks the balloon and water spills out of it – the water is pain. Pain was coming out of me, constantly. I was overflowing with it at the beginning of the project, and by the end of the project this balloon was filled with seeds of light and goodness that will sprout back in Ukraine.
If I speak about the overall effect, I received an example of how relationships can be built…

The final sharing of our work together in Bridport Town Hall – caring for others

I felt that each of us participants were equally valuable. Because there were many different activities, they were diverse, and everyone could express themselves in different kinds of work. Dance, drawing, poetry, singing, acting and so on. In this way each participant had the opportunity for self-expression and to receive recognition precisely in the area that was closer to them, that was their strong side. I didn’t feel any competition or rivalry at all, which very often happens in groups, and this usually frustrates me. The atmosphere of our group was such that where you wanted to express yourself – there was space and place for this, where you wanted to take a more passive role and let others lead – there was also the possibility to stay quiet or be in the role of observer, enjoying how others expressed themselves. This gave me a sense of self-worth that I now bring into my life, work and relationships. To rely on my strengths, not compare myself to others, to see precious treasure in myself, as well as in others. We are all just different types and colours of precious stones.

I gained invaluable experience of acceptance – being accepted for who I am, regardless of who I am, what I do for work, what I accomplish, and what kind of character I have. This was the most important thing. People didn’t care about my history, profession, my achievements – they saw me as a human being and accepted me here and now. All the learning that happened there, it doesn’t matter so much what exactly we did, it could have been anything at all, even studying mathematics – it was just a pretext for joint activity. Because the most important thing for me happened in the background – it was the character of our interaction, an interaction that was healing. It was the open eyes and souls of the teachers, who always look at you, ready for any of my reactions, who notice every emotion of mine, and don’t turn away because it might be difficult or painful but live through it with me. Maybe this is unconditional love?”

We all felt this work was life changing. All of these young people, their lives and their work together have stayed with us. They continue as friends. We worry about those living in a war zone and others who are struggling. Together we are going to build another programme in 2026, funding willing, and continue this work of The Complete Freedom of Truth that began 18 years ago and somehow grows and lives on in the lives of many hundreds of us who have participated together in multiple ways in many countries since it began in Srebrenica in 2008.

So many thanks to the team of LvivEYC25 for trusting us and committing themselves totally to the project. We are excited to collaborate with you further.

Thanks to the Innovation Centre of Arts University Bournemouth for hosting us for a day on Creativity and the understanding of Trauma Attuned Care.

Some more fragments of the work of evaluation through creativity on the TCFT web site https://thecompletefreedomoftruth.com/the-book-2025

There are many documentaries on this web site and here is one from Srebrenica in Bosnia and Herzegovina from 2015.
https://thecompletefreedomoftruth.com/2015

The final song lyrics and music by all – Bridport Town Hall.
•“A 10 day cultural exchange took place in Bridport (Dorset) and London, United Kingdom, between a group of Ukrainian and British young people. In Bridport we organised a week of workshops and trainings, interspersed with cultural activities and the nurturing of friendships, with high quality artistic facilitation, the fostering of self care through trauma attuned skills training and in particular for the Ukrainian’s, a time to lead “a normal life”. In London, the programme included a visit to the House of Commons with a Ukrainian themed seminar planned and led by students from UCL. Importantly this was an opportunity for our Ukrainian guests to present the Lviv European Youth Capital 2025 and personal stories about the war. UCL also provided space for a workshop on Democracy. King’s College delivered a participatory workshop on the meaning of peace, transitional justice, and trauma attuned care and imaging peace with photography. The project built confidence, enhanced leadership and advocacy skills, encouraged dialogue and meaningful conversations and provided safe and supportive outlets for self-expression through music and the creative arts within a trauma attuned care process. We facilitated cultural exchange between all participating, building solidarity, creating lasting connections and enhancing a sense of global citizenship within an intergenerational community based on the need for and belief in Democracy, Human Rights and Kindness.”

Without the extraordinary generosity of everyone involved both in the project and Town, the current funding available to us through the Council of Europe (€15000) maximum for a pilot project, it would have been impossible to achieve what we did. We also have to thank long standing donors Bauern helfen Bauern from Austria and Ernest Hecht Charitable Trust (funding us for our work with the Edible Gardens Project and for the benefit of young people and the community in Bridport) and all those generous people who contributed to our Crowdfunder. Thank you also to our Town Council for their open mindedness and support and those families who took many of the young people into their homes and made them so welcome.

(Having lost the youth fund Erasmus+ due to the UK’s removal from EU membership, continuing to develop youth programmes in wider Europe is a struggle, but vital for UK young people for learning, languages, opportunities, relationships, tolerance, cultural understanding and difference and multiple other reasons to benefit their lives in the long term. Although the new Erasmus funding budget is still large in comparison to that which exists for us now, the current decision making at EU Parliamentary level is destructive for those hoping for a doubling of support for youth activities including the vital work of their wellbeing and their democracies. https://www.youthforum.org/news/erasmus-reaction-on-new-mff )

Tina Ellen Lee

A collaboration with Lviv European Youth Capital 2025** and with the support of many.

A full credit and list of thanks can be found at the end of Robert Golden’s film.